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571 - RILLIARD, Abel 4 Costume designs for "La chauve-souris" by Johann Strauss. c. 1960–1970 Gouache and pencil with rhinestone highlights, 31.1 x 23 cm (3) or 26.2 x 20.2 cm (1), thick wove paper, 2 signed, 2 with pencil annotations (slightly soiled and creased, mainly along the edges and on the reverse). Abel Rilliard (1912–2003), a French set and costume designer, worked in theater, opera, and ballet. These 4 designs are for the roles of Arlette, Alfred, and a chorus member in “La Chauve-Souris” (“Die Fledermaus”) (Act II). The “1880” notation refers to the period in which the action is set. Included: 1. Sheet music for the waltz from “Die Fledermaus,” in a French version adapted by Max Reinhardt. Paris, Heugel, 1933. - 2. Program for performances of the same work at the Théâtre Pigalle, as part of Max Reinhardt’s “Grande Saison de Galas.” (Paris, 1934). (6 items)
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Estimation
€80 - 120Sale fees
RILLIARD, Abel 4 Costume designs for "La chauve-souris" by Johann Strauss. c. 1960–1970 Gouache and pencil with rhinestone highlights, 31.1 x 23 cm (3) or 26.2 x 20.2 cm (1), thick wove paper, 2 signed, 2 with pencil annotations (slightly soiled and creased, mainly along the edges and on the reverse). Abel Rilliard (1912–2003), a French set and costume designer, worked in theater, opera, and ballet. These 4 designs are for the roles of Arlette, Alfred, and a chorus member in “La Chauve-Souris” (“Die Fledermaus”) (Act II). The “1880” notation refers to the period in which the action is set. Included: 1. Sheet music for the waltz from “Die Fledermaus,” in a French version adapted by Max Reinhardt. Paris, Heugel, 1933. - 2. Program for performances of the same work at the Théâtre Pigalle, as part of Max Reinhardt’s “Grande Saison de Galas.” (Paris, 1934). (6 items)
Auction details
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