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324 - Benvenuto Disertori, Set of 4 engravings. 1912–1919. 1) Monte Magnanapoli. 1918. Etching and burin engraving on laid paper. 290x395 mm. Sheet: 340x440 mm. Bellini-Alberti, 30. Monogrammed on the plate at the bottom center. Signed in black ink at the bottom right and numbered at the bottom left. Work in the second state of 2, following the addition of the inscription at the bottom margin. Ex. 40/21. 2) The Temple of the Dioscuri. 1918–1919. Etching and burin on laid paper. 347 × 180 mm. Sheet: 445 × 345 mm. Bellini-Alberti, 33. Signed on the plate in the lower left corner. Countersigned in black ink in the lower right corner and titled at the bottom center. Numbered in the lower left corner. Ex. 50/15. Work in a single state. 3) Perugia. The Gate of the Mandola Arch. 1912–1913. Etching and burin on laid paper. 280 × 340 mm. Sheet: 340 × 440 mm. Bellini-Alberti, 5. Signed in black ink in the lower right corner and titled at the bottom center. “B. M. DISERTORI dis.” engraved in the lower left corner and “BMDisertori inc.” opposite it in the lower right corner. Work in the first state of 2. 4) Laurina. 1915. Lithograph. 240x220 mm. Sheet: 500x330 mm. Bellini-Alberti, 65. Signed in black ink at the bottom right. Work in a single state. (4) -
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200 - 400 €Frais de vente
Benvenuto Disertori, Set of 4 engravings. 1912–1919. 1) Monte Magnanapoli. 1918. Etching and burin engraving on laid paper. 290x395 mm. Sheet: 340x440 mm. Bellini-Alberti, 30. Monogrammed on the plate at the bottom center. Signed in black ink at the bottom right and numbered at the bottom left. Work in the second state of 2, following the addition of the inscription at the bottom margin. Ex. 40/21. 2) The Temple of the Dioscuri. 1918–1919. Etching and burin on laid paper. 347 × 180 mm. Sheet: 445 × 345 mm. Bellini-Alberti, 33. Signed on the plate in the lower left corner. Countersigned in black ink in the lower right corner and titled at the bottom center. Numbered in the lower left corner. Ex. 50/15. Work in a single state. 3) Perugia. The Gate of the Mandola Arch. 1912–1913. Etching and burin on laid paper. 280 × 340 mm. Sheet: 340 × 440 mm. Bellini-Alberti, 5. Signed in black ink in the lower right corner and titled at the bottom center. “B. M. DISERTORI dis.” engraved in the lower left corner and “BMDisertori inc.” opposite it in the lower right corner. Work in the first state of 2. 4) Laurina. 1915. Lithograph. 240x220 mm. Sheet: 500x330 mm. Bellini-Alberti, 65. Signed in black ink at the bottom right. Work in a single state. (4) -
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Ancient, Modern, and Contemporary Art - Session IIIMaison de ventes
Gonnelli Casa d'Aste +39 0 55 26 82 79 aste@gonnelli.itLa livraison est optionnelle. Vous pouvez recourir au transporteur de votre choix. Le prix indiqué n’inclut ni le prix du lot, ni les frais de la maison de vente.