435 - Gunnar Kaldewey. AT 75: The Kaldewey Press. New York 2011. Includes nine inkjet prints based on watercolors by Gunnar A. Kaldewey. Original binding with Plexiglas covers in a slipcase and outer case (Thomas Zwang, Hamburg).

Gunnar Kaldewey. AT 75: The Kaldewey Press. New York 2011. Includes nine inkjet prints based on watercolors by Gunnar A. Kaldewey. Original binding with Plexiglas covers in a slipcase and outer case (Thomas Zwang, Hamburg). Starting time: approx. 5:20 p.m. (Schedule subject to change) Kaldewey Press 75. — First edition. — One of ten “Deluxe” copies with Plexiglas covers and three additional watercolors bound inside, all signed and dated (total print run: 45). - Printed on turquoise “rag paper” specially produced for this edition by Gangolf Ulbricht. - In this book, Gunnar A. Kaldewey reflects on the history of the publishing house and the future of artist’s books, not just his own. Cat. Bennington, p. 12 28.5 × 19.0 cm. [32] pages, 3 watercolors. - Slipcase slightly discolored at the edges; spine of the chemise faded. English description: With nine inkjet prints based on watercolors by Gunnar A. Kaldewey. Original binding with acrylic glass covers, in chemise and slipcase (Thomas Zwang, Hamburg). Kaldewey Press 75. - First edition. - One of ten “Deluxe” copies in Plexiglas covers with three additional watercolors bound in, all signed and dated (total print run of 45). - Printed on turquoise “rag paper” specially produced for this edition by Gangolf Ulbricht. - “Kaldewey reflects on the history of the Press and the future of artist books, not only his own. This is Kaldewey’s fifth book featuring a theoretical text on the state of book art today.” (Cat. Bennington, p. 12). Slipcase with slightly faded margins; spine of the chemise faded.