428 - Gunnar Kaldewey - Han Shan. Poems from the Cold Mountain. Poestenkill, New York 2008. Includes eight color inkjet prints based on watercolors by Gunnar A. Kaldewey. Original suede binding with silver embossing (Thomas Zwang, Hamburg). In a slipcase and slip jacket (Judi Conant, Guildhall).

Gunnar Kaldewey - Han Shan. Poems from the Cold Mountain. Poestenkill, New York 2008. Includes eight color inkjet prints based on watercolors by Gunnar A. Kaldewey. Original suede binding with silver embossing (Thomas Zwang, Hamburg). In a slipcase and slip jacket (Judi Conant, Guildhall). Call time: approx. 5:15 p.m. (schedule subject to change) Edition Kaldewey 49. — One of seven copies of the “Deluxe Edition” featuring two signed watercolors and a suede binding (total print run: 42). - Signed by the artist in the colophon. - The color prints were printed on white Johannot paper; the Chinese text and metal engravings based on calligraphy by Bun-Ching Lam were printed on yellow China paper. From Lucius, p. 299 51.0 × 33.5 cm. [36] pages. English description: With eight color inkjet prints based on watercolors by Gunnar A. Kaldewey. Original buckskin binding with silver embossing (Thomas Zwang, Hamburg). In a chemise and slipcase (Judi Conant, Guildhall). Kaldewey Edition 49. - One of seven copies of the “Deluxe Edition” featuring two signed watercolors and a buckskin binding (total print run of 42). - Signed by the artist in the colophon. - The color prints were printed on white Johannot paper; the Chinese text and metal engravings based on calligraphies by Bun-Ching Lam were printed on yellow China paper. - “Han Shan’s text offers advice on how to live your life and find happiness. The Tang dynasty poet, whose name literally translates as ‘cold mountain,’ is well-known in the United States and influenced Beat Generation writers such as Allen Ginsberg and Jack Kerouac. The text on the yellow pages—which include one fold-out—features Bun Ching Lam’s expressive Chinese calligraphy on top and the English text underneath. Kaldewey’s watercolors, mostly created using drips and splatters, are more minimalist and restrained than in most of his other books.” (75 Artist Books, p. 299).