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Joan Miró. Flux de l’aimant. Texts by René Char. Drypoint etchings by Joan Miró. Paris, Maeght 1964. With 17 etchings, twelve of which feature colored aquatint, one on the front cover; sixteen are monogrammed and numbered. Loose sheets in original parchment folder. Call time: approx. 3:58 p.m. (schedule subject to change) One of 75 copies; an additional 20 were published “hors commerce.” - On BFK Rives vellum. - Print mark signed by the artist and the author. - Once again, in “Flux de l’aimant,” Miró developed two varying color versions from each of the five initially monochrome etchings. - Typography and text printing by Fequet et Baudier; the etchings were printed by the Maeght studio. - The elegant parchment portfolio, featuring the 17th etching on the front cover, was crafted by Jean Duval in Paris. Cramer 88. - Dupin 370–386. - Monod 2618 50.5 × 61.5 cm. [10] sheets, 16 etchings. - The front cover of the portfolio has minimal foxing; the back cover is scuffed; the parchment is cracked at the rear hinge. - Interior partly slightly foxed; 1 text sheet yellowed. English description: With 17 etchings, twelve of which feature colored aquatint; one on the front cover; sixteen monogrammed and numbered. Loose sheets in an original parchment folder. One of 75 copies; an additional 20 were published “hors commerce.” - On BFK Rives vellum. - Colophon signed by the artist and author. - Once again, in “Flux de l’aimant,” Miró developed two different color versions of each of the five initially monochrome etchings. - Typography and text printing by Fequet et Baudier; the etchings were printed by the Atelier Maeght. - The elegant parchment folder, featuring the 17th etching on the front cover, was crafted by Jean Duval in Paris. Front cover of the folder with minimal foxing; back cover rubbed; parchment cracked at the back joint. - Some light foxing in places inside; 1 text page discolored.
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