308 - Portfolios and Graphic Anthologies - Feuilles éparses. Original Prints. Album B. 18 original prints. 1965. 38 × 28 cm. 16 signed, all numbered.

Portfolios and Graphic Anthologies - Feuilles éparses. Original Prints. Album B. 18 original prints. 1965. 38 × 28 cm. 16 signed, all numbered. Auction start time: approx. 3:55 p.m. (Schedule subject to change) Copy A, the first of ten in the special edition on Japanese paper; an additional 40 were published on BFK Rives. — Published in 1965 by Louis Broder in Paris. - The third edition in the “Estampes originales” series contains wide-margin prints of the 14 prints from the book *Feuilles éparses*, published at the same time, with texts by René Crevel, as well as four additional prints by Max Ernst, André Masson, and Joan Miró that were not included in that book. Contents: Jean Arp (color woodcut, Arntz 228) Hans Bellmer (two etchings) Camille Bryen (color etching) Oscar Dominguez (etching, unsigned, as it was created posthumously) Max Ernst (color lithograph “Sphinx,” 1924, Spies/Leppien 22, and color etching, Sp./L. 70) Alberto Giacometti (etching, Lust 186) Stanley W. Hayter (color etching) Valentine Hugo (color etching) Wifredo Lam (color etching) Man Ray (color etching) André Masson (two color etchings, Saphire/Cramer 68) Joan Miró (three color etchings, Dupin 119–121) Wols (color lithograph, Busch 54; the artist’s only lithograph and also his final print, unsigned as it was published posthumously). The printing plates, stones, and blocks were rendered unusable after the print run was completed. - Each print is mounted on a double sheet, accompanied by a double sheet with the title and edition note and two blank double sheets; all together in the original envelope and linen case, both with a label on the lid. - In immaculate condition; complete Japanese-style copies are very rare. Monod, see 3321 38.0 × 28.0 cm. English description: Original Prints. Album B. 18 original prints. 1965. 38 × 28 cm. 16 signed, all numbered. Copy A, the first of ten in the special edition on Japanese paper; an additional 40 were printed on BFK Rives. - Published in 1965 by Louis Broder in Paris. - The third edition in the “Estampes originales” series contains wide-margin prints of the 14 prints from the book *Feuilles éparses*, published at the same time, with texts by René Crevel, as well as four additional prints by Max Ernst, André Masson, and Joan Miró that were not included in that book. Contents: Jean Arp (color woodcut, Arntz 228) Hans Bellmer (two etchings) Camille Bryen (color etching) Oscar Dominguez (etching, unsigned, as portfolio and slipcase) Max Ernst (color lithograph “Sphinx,” 1924, Spies/Leppien 22, and color etching, Sp./L. 70) Alberto Giacometti (etching, Lust 186) Stanley W. Hayter (color etching) Valentine Hugo (color etching) Wifredo Lam (color etching) Man Ray (color etching) André Masson (two color etchings, Saphire/Cramer 68) Joan Miró (three color etchings, Dupin 119–121) Wols (color lithograph; the artist’s only lithograph and also his last graphic work; unsigned, as it was published posthumously) The printing plates, stones, and blocks were rendered unusable after the print run was completed. - Each print is mounted on a double sheet, accompanied by a double sheet bearing the title and edition note, and two blank double sheets; all are housed together in the original wrapper and cloth case, both with a label on the lid. - Flawlessly preserved, complete Japanese-style copies are very rare.