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Sayyora Muin, Uzbek (B. 1977- ) Across the rails, 2025 Ink on paper 65 x 75 cm Sayyora Muin (b. 1977, Tashkent, Uzbekistan) is an Uzbek-born visual artist and costume designer based in Germany. Her multidisciplinary practice bridges fine art and design, drawing on a strong foundation in costume design, i lustration, and contemporary visual arts. After completing her studies at the National Institute of Fine Arts and Design in Tashkent, she continued her artistic education at the Berlin University of the Arts (UdK), where she earned the distinction of Meisterschülerin under Professor Florence von Gerkan. Muin has exhibited internationally in museums, biennials, and galleries across Europe and Central Asia. Her work has been presented at the 56th International Art Exhibition – La Biennale di Venezia, the Palais des Nations (United Nations) in Geneva, MAXXI Museum in Rome, the London Design Biennale, and numerous exhibitions in Germany, Azerbaijan, France, and the United Kingdom. She has been an active member of the Professional Association of Visual Artists Berlin (BBK Berlin) since 2019 and the Association of Berlin Artists (VBK) since 2021. Her works are held in the collection of the Stone Chronicle Museum in Baku, as well as in private collections in Uzbekistan, Azerbaijan, the Czech Republic, Germany, and Italy. Through an interdisciplinary approach that combines visual art with scenographic and textile influences, Muin continues to explore contemporary artistic expression across cultures and disciplines. Sayyora Muin's artistic practice explores themes of identity, memory, and cultural belonging through drawing and installation. Her work gives visual form to deeply personal conceptual inquiries while addressing universal and timeless human experiences. Shaped by her background in book illustration and costume design, she creates poetic, multilayered compositions that weave together geographical, cultural, biographical, and historical narratives. By bridging tradition with contemporary artistic language, Muin invites viewers to reflect on the connections between place, identity, and collective memory. Import Duty Charged on the Hammer Price
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