1019 - Avant-garde - Eastern Europe - Grupa sestorice autora (ed.). Maj 75. 16 (of 17, excluding issue K) issues. With numerous original works by various artists. Zagreb, self-published, 1978–1984. Dimensions: 28 to 30.5 x 21.5 cm. Partially illustrated original brochures (some with stains, staples in some cases slightly oxidized, some with slight edge wear).

Avant-garde - Eastern Europe - Grupa sestorice autora (ed.). Maj 75. 16 (of 17, excluding issue K) issues. With numerous original works by various artists. Zagreb, self-published, 1978–1984. Dimensions: 28 to 30.5 x 21.5 cm. Partially illustrated original brochures (some with stains, staples in some cases slightly oxidized, some with slight edge wear). Published by the artist group Grupa sestorice autora: Boris Demur, Zeljko Jerman, Vlado Martek, Mladen Stilinovic, Sven Stilinovic, and Fedor Vucemilovic. - These booklets contain contributions by Vlasta Delimar, Tomislav Gotovac, Sanja Ivekovic, Mangelos, Balint Szombathy, Rasa Todosijevic, Goran Trbuljak, Grupa 123, Goran Petercol, Darivoj Cada, Jovan Cekic, Zeljko Kipke, Zlatko Kutnjak, Antun Maracic, Stanislav Filko, Vladimir Gudac, Marijan Molnar, Sergio Pausig, Rajko Radovanovic, Darko Simicic, Iris Vucemilovic, Zoran Popovic, Pino Ivancic, Breda Beban, Rada Cupic, Jasna Jurum, Vesna Miksic, Vesna Pokas, Bogdanka Poznanovic, Duba Sambolec, Edita Schubert, Branka Stankovic, Zivko Kladnik, Lela Mujkic, Egist Zagoricnik, Franci Zagorcnik, Orest Zagoricnik, Zan Futranovitch Toupillon, Matjaz Hanzek, Boris Ivandic, Radomir Masic, Jaroslav Supek, Vlatko Vincek, Filimir, Vladimir Dodig Trokut, Boris Jelenic, Dobrica Kamperelic, Nenad Bogdanovic, Jusuf Hadzifejzovic. - Seventeen issues of “May’75” were published between 1978 and 1984. In addition to the original six artists, over fifty artists from the former Yugoslavia, Germany, the former Czechoslovakia, and Italy, as well as from other countries, were invited to contribute their work to the magazine. Each issue featured original artworks, ready-made artworks, silkscreen prints, texts, concepts, projects, viewpoints, ironic and political opinions, collages, and photographs. Occasionally, pages were reproduced using screen printing in the studio of Zeljko Jerman and Vlasta Delimar. Most pages, however, were produced by hand. “Maj’75,” which was self-funded by the artists, was typically distributed free of charge to other artists, friends, critics, or passersby during exhibition events. Later, distribution took place mostly through personal contacts and by mail. The magazine was never sold in bookstores or galleries. “Maj’75” was thus completely unofficial. On the one hand, this had the advantage of circumventing censorship; on the other hand, however, it also had the disadvantage that the magazine remained virtually unknown outside a small circle. — Well preserved inside.