Pour modifier votre ordre d’achat,
contactez la maison de ventes.
Le prix de réserve est le prix minimum accepté par le vendeur. Les enchérisseurs ne peuvent pas voir ce prix. Pour pouvoir remporter un objet, vous devez soumettre la meilleure enchère, et atteindre ou dépasser le prix de réserve.
Les inscriptions sont closes pour cette vente. Vous ne pouvez pas enchérir
Les montants convertis sont fournis à titre indicatif uniquement. Seule la devise déterminée par la maison de ventes fait foi. Vous pouvez sélectionner une autre devise en allant dans la section "Préférences" de votre profil.
Frais incluant les frais de l'étude et de la plateforme. Pour plus de précisions, veuillez vous référer aux conditions générales de vente de la maison de ventes.
Monika von Boch* (Mettlach 1915 - 1993 Mettlach) Trees vintage gelatin silver print 16,5 x 18,2 cm verso photographer's stamp SCHÄTZPREIS / ESTIMATE € 600 - 1200 STARTPREIS / STARTING PRICE € 600 Monika von Boch (1915–1993) was a German photographer whose work represents a significant contribution to post-war German photography and the movement known as Subjektive Fotografie (Subjective Photography). After initially teaching herself photography, she developed an increasingly experimental visual language from the 1950s onwards, in which light, shadow, movement, reflections, framing, and geometric shapes became independent compositional elements. Rather than seeking a purely documentary depiction, she was interested in the photographic transformation of reality; architecture, landscapes, everyday objects, and human figures often appear fragmented, abstracted, or dissolved into rhythmic structures. Her work thus bridges experimental photography and a concept of plane, line, and form influenced by Concrete Art. Monika von Boch’s photographic approach is closely linked to the circle of Otto Steinert, Peter Keetman, Toni Schneiders, and Kilian Breier—as well as the Steinert-led group fotoform—which established a new, subjective, and formally experimental style of photography in Germany during the 1950s. While Albert Renger-Patzsch’s Neue Sachlichkeit (New Objectivity) photography served as a crucial precursor regarding the precise perception of form and structure, Subjektive Fotografie increasingly shifted the focus toward abstraction, photographic experimentation, and individual perception. Von Boch thus occupies a position between objective formal analysis, Concrete Art, and experimental photography, developing a distinctive visual language in which the camera serves less as a documentary tool and more as an instrument of creative composition. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights and platform fee. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid, the buyer's premium and platform fee. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
La livraison est optionnelle. Vous pouvez recourir au transporteur de votre choix. Le prix indiqué n’inclut ni le prix du lot, ni les frais de la maison de vente.