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Templum Fine art Auction

306 - Gilded wooden eagle finial sculpture, Italy, 17th century

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Gilded wooden eagle finial sculpture, Italy, 17th century Carved, polychromed, and gilded wood. Dimensions: 45 × 20 cm. This ornamental sculptural finial depicts an eagle with outstretched wings, modeled after the decorative styles of 17th-century European Baroque. The figure features a frontal composition of marked symmetry, with the body positioned vertically, the head turned to the left, and the wings spread wide on either side, creating a monumental silhouette of great expressive power. The bird is depicted with its beak slightly open, prominent eyes, and a powerful body structure—elements that accentuate its majestic and symbolic character. The meticulous treatment of the wings deserves special attention; their feathers are arranged in different overlapping layers, with deeply incised carving that distinguishes the coverts from the long flight feathers, creating a remarkable effect of volume and movement. The breast features ornamentation of undulating forms and stylized plumage, while the lower body is composed of broad, carved tufts that converge toward an irregular base, possibly corresponding to its original mounting system. The surface retains gilded decoration in warm tones, with chromatic variations and signs of wear that reveal the richness of the sculptural work and the ornamental character of the piece. From an iconographic perspective, the eagle is one of the most representative symbols of power, authority, and victory, associated since antiquity with the god Jupiter and later incorporated into European imperial, monarchical, and noble heraldry. In the Christian tradition, the eagle is also identified with Saint John the Evangelist, one of the four symbols of the Tetramorph; thus, this type of representation could have been part of either a secular decorative ensemble or a piece of liturgical furnishings. The arrangement of the wings, the expressive rendering of the head, and the richness of the carving find parallels in 17th-century ...

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