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Venetian-Cretan School (17th–18th centuries) - Adoration of the Magi Tempera and gilding on panel. Dimensions: 26 × 16 cm. This religious work belongs to the Venetian-Cretan pictorial tradition and depicts the Adoration of the Magi, one of the most common themes in Christian iconography, as recounted in the Gospel of Saint Matthew. The composition shows the Virgin Mary seated on the right, holding the Christ Child on her lap, who extends one arm toward those present in a gesture of blessing and welcome. Mary is dressed in a flowing, dark red tunic with deep folds outlined in black, while her head, slightly inclined toward the Child, is framed by a veil and a golden halo that emphasize her sacred nature. Behind her stands Saint Joseph, depicted as an elderly man with white hair and a beard, dressed in a pink tunic and also distinguished by a golden halo. On the left are the three Wise Men, characterized by rich, Oriental-inspired garments, crowns, turbans, and gilded ornamentation. One of them kneels before the Child, offering a vessel as a symbol of his homage, while another, positioned higher, bows respectfully toward the Holy Family. On the far left, a third figure is partially visible, holding an elaborate gilded vessel surmounted by a cross, an element that reinforces the ceremonial nature of the scene. The composition unfolds against a schematically rendered architectural and landscape background, in which a violet-toned structure, plant elements, and a star with long golden rays—alluding to the Star of Bethlehem—stand out. The painting combines formal elements from the Byzantine tradition with narrative and decorative features characteristic of Venetian painting, reflecting the artistic style developed in Crete under the influence of the Republic of Venice. The figures feature stylized faces, almond-shaped eyes, defined contours, and a hierarchical arrangement that gives special prominence to the Virgin and Child, while the use of reddish, ...
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