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Cazo

277 - LA RENAISSANCE. A literary and political journal. It was published in Paris beginning in January 1949, following in the footsteps of the newspaper of the same name that appeared between 1925 and 1940. The journal was founded on the initiative of I. I. Tkhorzhevski, with the support of A. O. Gukasov, owner and publisher of the former newspaper *La Renaissance*. A significant collection of 74 issues covering the period from 1949 to 1973. We are including 16 duplicate issues from the same period. Varying conditions.

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300 €

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300 - 400 €

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30 %

LA RENAISSANCE. A literary and political journal. It was published in Paris beginning in January 1949, following in the footsteps of the newspaper of the same name that appeared between 1925 and 1940. The journal was founded on the initiative of I. I. Tkhorzhevski, with the support of A. O. Gukasov, owner and publisher of the former newspaper *La Renaissance*. A significant collection of 74 issues covering the period from 1949 to 1973. We are including 16 duplicate issues from the same period. Varying conditions. VOZROZHDENIE. Literary and Political Journal. Published in Paris beginning in January 1949, continuing the tradition of the newspaper of the same name, which was published from 1925 to 1940. The journal was founded on the initiative of I. I. Tkhorzhevsky with the support of A. O. Gukasov, owner and publisher of the former newspaper *Vozrozhdenie*. Initially, the publication appeared in the form of literary-political booklets; later, it took the form of a magazine. A. O. Gukasov remained the publisher until 1969. The first editor was I. I. Khorzhevsky; beginning in 1950, the journal was headed by the renowned historian, journalist, and public figure S. P. Melgunov. The collection includes issues from 1949–1973: 1949: No. 1 (2 copies), 3, 4 (4 copies), 6 1950: No. 7 (2 copies), 8, 9; 1951: No. 13, 14, 15, 16, 17, 18 (2 copies); 1952: No. 19 (2 copies), 20 (3 copies), 22, 23; 1953: No. 28, 29, 30; 1954: No. 31 (2 copies), 36; 1955: No. 40 (2 copies), 43 (2 copies), 45, 46; 1956: No. 49, 50, 51 (2 copies); 1958: No. 82; 1959: No. 87; 1960: Nos. 98, 102, 105, 107, 108; 1961: Nos. 109, 118, 119 (3 copies); 1962: Nos. 123, 126; 1963: No. 137; 1964: Nos. 148, 152, 153, 154, 156; 1965: Nos. 157, 160, 162, 163, 164, 165, 166; 1966: No. 169, 170, 172, 173 (2 copies), 174, 175, 176, 177, 178, 179, 180; 1967: No. 185, 186, 187, 189, 190; 1968: No. 195; 1970: No. 218; 1972: No. 237; 1973: No. 241 The issues presented are in varying conditions (tears, stains, detached covers, missing spines). By its very nature, *Vozrozhdenie* positioned itself as an independent voice of Russian national thought. Its pages brought together political journalism, history, philosophy, religious thought, literary criticism, memoirs, and fiction. Philosophical and religious content held a special place in the journal. Its pages published and discussed the works and ideas of Semyon Frank, Fyodor Stepun, Boris Vysheslavtsev, Vasily Zenkovsky, Vladimir Ilyin, Ivan Ilyin, Anton Kartashev, and other representatives of Russian religious and philosophical thought. Scholars regard *Vozrozhdenie* as an important center for the preservation and development of the philosophical culture of the Russian diaspora. The journal’s literary content was also significant. Among its authors and contributors were Ivan Bunin, Boris Zaitsev, Alexei Remizov, Nikolai Arsenyev, Ariadna Tyrkova, and other well-known writers of the Russian diaspora. In its early years, *Vozrozhdenie* was published every two months. Starting in 1955, the magazine became a monthly publication. Over the course of its existence, 243 issues were published—from No. 1 in January 1949 to No. 243 in March 1974. The circulation was approximately 5,000 copies. The final issue, No. 243, was published in March 1974.

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Russian Art
mardi 10 novembre
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