239 - HERTENBERGER (Claude, ill.), LE MAROIS (Jean Leonor). *Les Chevaux du soleil*. [Paris, Imprimerie Nationale,] 1948. In-4, loose-leaf format in a folder and slipcase, illustrated with a headband and a footer by Claude Hertenberger. A rare work printed in an edition of 100 copies on Arches vellum. It includes a typewritten letter with an autograph signature by Maurice Darantière—who served as the project manager for the work—addressed to Jacques Guignard in the Reserve Department at the National Library.

HERTENBERGER (Claude, ill.), LE MAROIS (Jean Leonor). *Les Chevaux du soleil*. [Paris, Imprimerie Nationale,] 1948. In-4, loose-leaf format in a folder and slipcase, illustrated with a headband and a footer by Claude Hertenberger. A rare work printed in an edition of 100 copies on Arches vellum. It includes a typewritten letter with an autograph signature by Maurice Darantière—who served as the project manager for the work—addressed to Jacques Guignard in the Reserve Department at the National Library. A rare work printed in an edition of 100 copies on Arches vellum. It includes a typewritten letter with an autograph signature by Maurice Darantière, who served as the project manager for the work, addressed to Jacques Guignard in the reserves department at the National Library. Also included: PEGUY (Charles). La Tapisserie de Notre Dame. Paris, Presses de la Ville de Paris, 1963. Oblong quarto, in folio, illustrated embossed cover, ivory and blue slipcase, title in white capital letters repeated on three sides of the slipcase. The book was produced based on the calligraphy of Jean Muttville, using typefaces designed specifically for this edition and illuminated in gold. A limited edition of 125 numbered copies on handmade paper from the Moulin Richard-de-Bas mill, all not for sale and donated by the Paris City Council. Experts: Loup Axmann and Jean-Luc Boisseau