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416 - VARIOUS ARTISTS_x001D_ 20th/21st-century event, tourism, and political posters. A collection of 10 sheets, mostly color prints by or after various artists, 1903–32. Includes: Cinquième Exposition Internationale d’Art, Venice 1903 (Augusto Sezanne), German Automobile Exhibition Berlin 1924 (Lucian Bernhard; folded), 30th Agricultural Traveling Exhibition, Hamburg 1924 (Wilhelm Muck), “Das Gemeindebestimmungsrecht...” (Hans Schwartz; Swiss political poster ca. 1929; folded), Army Ski Championships, Klingenthal 1929 and Oberstdorf 1930 (both by W. Hölter), Exhibition for Agriculture/Trade and “German Will to Live,” Hechingen 1930 (W. Hölter), “Winter Magic in the Harz Mountains” (J. W. Hamann), Daily concert starting at 3 p.m. (at the Tierpark Restaurant; Siegmund von Suchdolski) as well as a poster featuring the Chile Haus in Hamburg (Willy Dzubas; Deutschland or Germany; before the lettering; 1932). All bear the artist’s signature and, in most cases, the printer’s address within the design. On vélin. Various sizes. One sheet trimmed with loss of text at the top margin (Suchdolski). Mostly slightly to moderately stained and with (mainly in the margins) some retouched areas. [ms]
VARIOUS ARTISTS_x001D_ 20th/21st-century event, tourism, and political posters. A collection of 10 sheets, mostly color prints by or after various artists, 1903–32. Includes: Cinquième Exposition Internationale d’Art, Venice 1903 (Augusto Sezanne), German Automobile Exhibition Berlin 1924 (Lucian Bernhard; folded), 30th Agricultural Traveling Exhibition, Hamburg 1924 (Wilhelm Muck), “Das Gemeindebestimmungsrecht...” (Hans Schwartz; Swiss political poster ca. 1929; folded), Army Ski Championships, Klingenthal 1929 and Oberstdorf 1930 (both by W. Hölter), Exhibition for Agriculture/Trade and “German Will to Live,” Hechingen 1930 (W. Hölter), “Winter Magic in the Harz Mountains” (J. W. Hamann), Daily concert starting at 3 p.m. (at the Tierpark Restaurant; Siegmund von Suchdolski) as well as a poster featuring the Chile Haus in Hamburg (Willy Dzubas; Deutschland or Germany; before the lettering; 1932). All bear the artist’s signature and, in most cases, the printer’s address within the design. On vélin. Various sizes. One sheet trimmed with loss of text at the top margin (Suchdolski). Mostly slightly to moderately stained and with (mainly in the margins) some retouched areas. [ms]