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Winterberg Kunst
82 - JEAN JACQUES HENNER - attributed_x001D_ Bernwiller, Alsace 1829 - 1905 Paris Bust portrait of a red-haired woman, in profile to the left. Oil on canvas. See De Lannoy C 870 ff (Head of a Young Girl with a Fringe. Oil studies of the model Alice en Face, ca. 1895) and C 1081 (Woman Reading in a Blue Blouse or Reverie; oil painting, 1891).—Inscribed in red in the lower right corner: “Hélène DA”; and on the reverse, on the stretcher, on a fragment of an adhesive label, inscribed in brown pen: “.. de Femme.” 34 x 24.8 cm. With fine craquelure as well as isolated areas of raised and flaking paint. Edges show traces of old mounting on a stretcher frame. After initial drawing lessons, Henner studied in Strasbourg at the École des Beaux-Arts under G.-C. Guérin, then in Paris at the École des Beaux-Arts under M.-M. Drolling and F.-É. Picot. During a stay in Rome, the artist devoted himself primarily to studying the works of Titian and Correggio and specialized in the depiction of female figures, who are often portrayed with blurred outlines in semi-darkness or twilight. Framed. [bg]
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JEAN JACQUES HENNER - attributed_x001D_ Bernwiller, Alsace 1829 - 1905 Paris Bust portrait of a red-haired woman, in profile to the left. Oil on canvas. See De Lannoy C 870 ff (Head of a Young Girl with a Fringe. Oil studies of the model Alice en Face, ca. 1895) and C 1081 (Woman Reading in a Blue Blouse or Reverie; oil painting, 1891).—Inscribed in red in the lower right corner: “Hélène DA”; and on the reverse, on the stretcher, on a fragment of an adhesive label, inscribed in brown pen: “.. de Femme.” 34 x 24.8 cm. With fine craquelure as well as isolated areas of raised and flaking paint. Edges show traces of old mounting on a stretcher frame. After initial drawing lessons, Henner studied in Strasbourg at the École des Beaux-Arts under G.-C. Guérin, then in Paris at the École des Beaux-Arts under M.-M. Drolling and F.-É. Picot. During a stay in Rome, the artist devoted himself primarily to studying the works of Titian and Correggio and specialized in the depiction of female figures, who are often portrayed with blurred outlines in semi-darkness or twilight. Framed. [bg]