27 - CHARTIER (Alain). The Deeds and Sayings of the late, well-remembered Master Alain Chartier, who during his lifetime served as Secretary to the late King Charles VII. Newly printed, revised, and corrected beyond the previous editions, and divided into chapters to facilitate understanding of their contents. Includes the *Debate on Fat and Lean*, which had not yet been printed, along with a table of contents for this volume. All newly printed in Paris. Paris, Anthoine Couteau for Galliot du Pré, 1526. Folio (270 x 195 mm), red morocco leather, with cold-stamped interlacing bands on the covers forming a diamond-rectangle pattern with gilded corner fleurons; spine with raised bands adorned with cold-stamped bands and gilded fleurons; inner fore-edge decorated with gilded scrolls and bands; gilded edges (Bernasconi).

CHARTIER (Alain). The Deeds and Sayings of the late, well-remembered Master Alain Chartier, who during his lifetime served as Secretary to the late King Charles VII. Newly printed, revised, and corrected beyond the previous editions, and divided into chapters to facilitate understanding of their contents. Includes the *Debate on Fat and Lean*, which had not yet been printed, along with a table of contents for this volume. All newly printed in Paris. Paris, Anthoine Couteau for Galliot du Pré, 1526. Folio (270 x 195 mm), red morocco leather, with cold-stamped interlacing bands on the covers forming a diamond-rectangle pattern with gilded corner fleurons; spine with raised bands adorned with cold-stamped bands and gilded fleurons; inner fore-edge decorated with gilded scrolls and bands; gilded edges (Bernasconi). A beautiful, large-format Gothic edition of the works of Alain Chartier, the most admired poet of his time. Title page adorned with an illustrated initial; a very fine three-quarters-page woodcut at the head of the text depicting the author writing his book within a floral frame; another smaller one (a reader in a pulpit), and a genealogical chart tracing the royal lineage from Saint Louis to Edward III. Beautiful two-column Bastard typeface. A fine copy, with generous margins, perfectly preserved, and elegantly bound. Slight water stain at the very edge of one leaf. Ex dono in old handwriting on the title page, accompanied by the inscription “A lamy son cœur.” Acquired by Émile Rossignol in 1953.