52 - ADVERTISING MANUALS (Letters P–Q)

ADVERTISING MANUALS (Letters P–Q) Approx. 95 advertising, operations, and other manuals, including duplicates. Jules’ Bread, The Living Bread, Panic, Panic in Gibraltar, A Father Without Knowing It, Through the Window, Parade of Love, The Parade of Laughter, Parade of Lost Time, Paradise of Lost Pilots, Paradise of Thieves, Paradise Lost, Forgive Me, Forgive Us Our Offenses, Paris, Paris Camargue, A Parisian in Spite of Himself, No Corpse for Aunt Olga, No Vacation for the Mayor, The Patriot, The Dawn Patrol, Patricia, The Crossing of the Rhine, The Transit of Venus, Past for Sale, Passion, Gold Smugglers, Banana Peel, Someone Else’s Skin, Mortal Sin, Sins of Youth, The Underworld, Mimosas Boarding House, Father Lebonnard, Father Lampion, Father Tranquille, The Pearls of the Crown, Little Pest, The Little Savage, Feet in the Plate, Feet in Plaster, The Trap, Midnight Trap, Man-Catch Trap, Traps, Pierre and Jean, The Ranch Raiders, The Freeloaders, Pilot Against His Will, Railroad Pirates, Pirate, The Pirates of the Mississippi, Mercy for the Fallen, The Southern Trail, The Northern Trail, The Cursed Guns of Dallas, The Connected Man, Place de la Concorde, Pleasure, Pleasures of Paris (1932), Pleasures of Paris (1952), *Golden Rain*, *No More Vacations for God*, *The Chinese Fish*, *Redhead*, The Drunkard, High Society Police, Portrait of a Murderer, Computer-Generated Sketch, The Harbor of Temptation, The Bread Carrier, The Gates of the Night, For a Penny of Love, For a Night of Love, The Goose That Laid the Golden Eggs, Doll of Paris, Why America?, First Ball, First Date, Premiere, First Weapons, President Haudecoeur, Promise of the Unknown, Prince Jean, Princess of the Suburbs, The Princess of the Nile, Spring, Spring in Paris, Prisoner of the Tower of Fire, The Puritan, When You’re Twenty, When Noon Strikes, When Anger Erupts, When You Read This Letter, Four of the Infantry, July 14, 4 A.M., Four Widows, The Fourth Musketeer, Quai des Illusions, Quai des Orfèvres, Quai du Point du Jour, Double or Nothing. René Chateau Collection: The Memory of Cinema—Part Three