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P. JODE (*1604) after FERDINAND (16,17th), Portrait of Petrus de Iode, Copper engraving Pieter de Jode jun. (around 1604 Antwerp - after 1674 England) after M Ferdinand (16./17. century): Portrait of the Antwerp copperplate engraver Petrus de Iode, with a biographical inscription, 17th century, Copper engraving Technique: Copper engraving on Paper Impression Quality: A good to very good impression, deep black and clearly defined, with precise and sharp lines and well-defined hatching. Inscription: At the lower part signed in the printing plate: "M. Ferdinand pinxit | P de Iode Iunior sculpsit. | Io. Meyssens excudit.". At the lower part inscribed in the printing plate: "PETRUS DE IODE". Date: 17th century Description: Portrait of Petrus de Iode, depicted as a half-figure in a three-quarter view after the left. The bearded, middle-aged man wears a white turn-down collar over a dark, buttoned doublet. He is holding a folded piece of paper or document in his hands. The face is carefully modelled, the gaze calm and direct. The background is kept uniformly dark through delicate cross-hatching, which effectively highlights the brightly lit facial features. The modelling is achieved through dense, parallel and criss-crossed lines; the flesh tones are lightened by delicate lines. Below the portrait is a multi-line inscription in French containing biographical details as well as information about the painter, engraver and publisher. This work is thought to have originally come from the anthology *Het Gulden Cabinet*, which contained a large number of artists’ portraits. Keywords: Portrait; Engraving; Petrus de Iode; Baroque; Flanders; Antwerp; Engraver; Half-length; Three-quarter view; White collar; Document; Inscription; 17th century; Portrait; Meyssens; de Iode the Younger; Ferdinand; 17th century; Baroque; Portraits; Belgium; Size: Paper: 16,2 cm x 11,4 cm (6,4 x 4,5 in), Plate: 16,0 cm x 11,2 cm (6,3 x 4,4 in), Depiction: 13,6 cm x 10,8 cm (5,4 x 4,3 in) Condition: Good condition. Paper slightly browned, with a few small stains; margins closely cut with slight glazes at the bottom right; traces of mounting visible on the reverse
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