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P. PAZZI (*1706) after CAMPIGLIA (*1692), Portrait of Andrea Pozzo, Etching Pietro Antonio Pazzi (1706 Florence - after 1766 ) after Giovanni Domenico Campiglia (1692 Lucca - after 1762 ): Portrait of the artist and architect Andrea Pozzo in the vault, 18th century, Etching Technique: Etching and Copper engraving on Paper Inscription: At the lower part signed in the printing plate: "Gio. Dom. Campiglia del. | P. A. Pazzi fc". Date: 18th century Description: The picture shows a man in a dark robe sitting on an architectural element in a dynamic pose. His right arm is raised, his index finger pointing upwards, while his gaze is slightly tilted to the side as if he is pointing to something important. In the background, artistically designed vaulted arches can be recognised, creating a depth of perspective. The lighting conditions are rich in contrast, which emphasises the sculptural form of the figure. The man's facial expression is serious and concentrated, which could indicate his intellectual preoccupation or spiritual contemplation. The composition conveys a harmonious connection between man and architecture. Keywords: Portrait; Architecture; Gear; Gesture; Perspective; Light and shadow; Baroque; Saint; Spirituality; Concentration; Dynamics; Arches; Drawing; Composition; Depth; Art; Representation; Pose; Expression; Space; 18th century; Baroque; Portraits; Italy; Size: Paper: 43,2 cm x 29,7 cm (17 x 11,7 in), Plate: 27,2 cm x 18,4 cm (10,7 x 7,2 in), Depiction: 22,5 cm x 16,3 cm (8,9 x 6,4 in) Condition: Defective condition. The sheet is discoloured and somewhat greyish due to age. The edges are bumped and show some losses. The upper right corner is folded back and the two lower corners are missing. The lower corners show dark discolouration, with a liquid stain on the right. There are also scattered creases in the margins, particularly one horizontal crease on the right, although this does not penetrate into the image space. The print is in good condition with well-preserved printing ink, fine lines and details.
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